Hammer Dracula 1958

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Tiger2
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Hammer Dracula 1958

#1 Post by Tiger2 »

Hi Folks,
I've been a fan of all things Hammer for many years, especially if they involve Christopher Lee and his first portrayal of Dracula back in 1958!
This kit as been waving at me from the stash pile for too long, so its time has finally come to meet the workbench.

It was beautifully sculpted by Chuck Needham for Alternative Images way back when and captures Lee with Valerie Gaunt in his arms from an early scene
in the castle library. However, with artistic license, Chuck has placed the figures on a stairway base which echoes the entrance to the castle outside.

As I'm sure you all know, Valerie is one of his 'undead girls' and she's just had a go at biting Mr Harker, only to be stopped and punished by Dracula on his return
from his night time feed. Lee picks her up and carries her off a though she was a feather, leaving Johnathan in shock and passing out on the floor.
This striking image was also used for the poster art and its release in the US as 'Horror of Dracula'.

My 'go to' Hammer expert and Clubhouse friend Stewart Jackson did an awesome build of this kit, adding a scratch built pillar topped with an eagle to the base,
to better reflect the scenery in the film. A great idea, I knew I'd like to try a similar addition with my effort.

So far, my time has been divided between clean up (quite a few dents to fill and smooth out, not the best of castings, note the hole on his foot!) and basic assembly
with the figures and fabricating the pillar on the base. I knew it was going to be quite tall, so I have designed it to be removable for travel and storage, if it ever
gets that far! I started with a cardboard mock up, just to get a rough idea of shape and proportion, then built it with balsa foam, plastic card, milliput and brass rod.


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The figures present quite a challenge in terms of pinning them together. Lee’s hands and forearms are moulded as part of the girl,
joining at his elbows. The problem is, her left arm hangs down behind his back, but if attached to her, she cannot be lined up with
the pins. Has anyone else built the kit and found this?

Looking in an old Kitbuilders mag, they did a review of this very model and solved the issue by drilling right through the back of his cape,
so she can be pinned by holding her in place and pushing the pin through from the back. Sounds straight forward, but I’m worried about
the damage that will do to the details of the cape and how easily that can be puttied over and blended back in.

My gut feel is to paint and pin her from the front, adding the left arm separately once she’s secure. I’d welcome thoughts and experiences
on this dilemma if anyone has them!

Cheers for now,
Paul
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Re: Hammer Dracula 1958

#2 Post by Stewart Jackson »

Paul, this is looking brilliant and I'm so glad you were able to get the piece. With regard to the pinning, I recall adding the pins to the parts of Dracula's wrists/forearms attached to the bride. I painted Dracula and the bride separately and then attached her to Dracula and touched up everything at the joins. I remember the article in Kitbuilders, but I too had my concerns with drilling through the back of the Dracula figure. Mine has held up for many a year so I think there are a few avenues to the right answer.

Very excited to watch your progress!
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Re: Hammer Dracula 1958

#3 Post by bucketfoot-al »

:popcorn: Watching thread with interest ... :D
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Tiger2
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Re: Hammer Dracula 1958

#4 Post by Tiger2 »

Stewart Jackson wrote: July 1st, 2024, 8:56 pm Paul, this is looking brilliant and I'm so glad you were able to get the piece. With regard to the pinning, I recall adding the pins to the parts of Dracula's wrists/forearms attached to the bride. I painted Dracula and the bride separately and then attached her to Dracula and touched up everything at the joins. I remember the article in Kitbuilders, but I too had my concerns with drilling through the back of the Dracula figure. Mine has held up for many a year so I think there are a few avenues to the right answer.

Very excited to watch your progress!
Many thanks for chiming in Stewart! I'm going with your suggested route, I've got a good fit now between them both at Lee's elbows and
her dress where it tucks into his right arm. So, only slight gaps to fill. Once they are both painted and she's locked in place, I'll add her left arm that
hangs down behind him. I'm just getting that to fit as well as possible now to alleviate any filler / touch up with paint later.

From a painting point of view, I think it would be better to have her together entirely to guarantee continuity of colour from her chest into her shoulder,
but as long as I paint all her skin tones in one go it should be ok. It's a challenge for sure, but I'll do my best!

Thanks again and back with more when ready,
Paul
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Re: Hammer Dracula 1958

#5 Post by Stewart Jackson »

I have every confidence that your best is amazing and well up to the challenge!
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Re: Hammer Dracula 1958

#6 Post by KelE »

That's an impressive sculpture.
I just find model kit design so complicated--I can't imagine the work required to engineer that.
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Tiger2
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Re: Hammer Dracula 1958

#7 Post by Tiger2 »

Hi Folks,

A little update on this build, I realise the thread has been quiet for a while, but I’ve been working on the additional
base elements that needed scratch building and can now present my first efforts at sculpting!

This was to try and create one of the stone eagles that sit on top of the pillars that flank the pathway to the castle
gate in the movie. Along with screen grabs from the film, I was lucky to find some very good reference online of
one of the actual film props that was being auctioned by a collector. I printed a pic of this eagle out at the size
I wanted, then made a foil and putty armature to match the shape.


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I then covered this with the sculpey, working on the head and front view first. Given that it's meant to be a rough,
weathered carving in stone, it made a good subject to experiment with and get a feel for the medium, as I didn't
have to be too perfect with smoothing out rough spots. Once baked, I then did the same with the back view.
I made armatures for the feet with thin wire, covered those in sculpey and carved in the claws and other details.

I have really enjoyed playing with the clay and for a first go, I'm reasonably happy with the results.

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I'll stipple it with Mr Surfacer 500 next to give it some stoney texture, it should look ok once painted and given
some dirty washes and then installed on the pillar.

I needed to get this work done before progressing with painting the figures, as I want to work out where Lee
will stand on the step so I can drill the base and his feet for pinning.

Back when time allows, take care one and all!
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Re: Hammer Dracula 1958

#8 Post by bucketfoot-al »

SPECTACULAR little sculpt!! Well done - its adding little custom touches like this that really can make a build "pop"!!! :drool2:
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Re: Hammer Dracula 1958

#9 Post by tay666 »

Ooo!
Nice little update. Cool step-by-step there. Looks great.
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Re: Hammer Dracula 1958

#10 Post by overspray »

The eagle looks fantastic, what a great addition!
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Re: Hammer Dracula 1958

#11 Post by Ant »

That sculpting looks better than some kits I've had! Excellent job!
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Re: Hammer Dracula 1958

#12 Post by Stewart Jackson »

Nailed it! Looking great and this is going to really spice this up beautifully.
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Re: Hammer Dracula 1958

#13 Post by barad_dur »

Nice work !
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Re: Hammer Dracula 1958

#14 Post by DeadSpace »

Very beautiful work. Well done sir...
Tiger2
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Re: Hammer Dracula 1958

#15 Post by Tiger2 »

Well, it's taken a little while longer than expected (Life, work etc) but I've finally got to that point where I'm calling it done.
A very challenging build, castings were a little rough to say the least and the gravity defying pose with the girl took some
careful pinning, followed by putty, numerous touch ups and repairs. Each time I thought I was there, I'd find another rough bit
or ding in the paint work, don't look too hard, I'm sure there has to be something I've missed!

I've tried to be as accurate to the screen colouring as possible, including blooded mouths on both figures and no red lining on Lee's cape.
I like the effect of the stark Gothic palette of black and white, with just a few colour accents.

I added some crushed autumn leaves to the base for a splash of colour and that classic, Hammer set look and I'm pleased with how
the eagle on high adds an aesthetic balance to the composition. A big thank you to my Hammer guru Stewart Jackson for the inspiration there!

Relieved and happy to have this one in the collection, it's a wonderful tribute to my all-time favourite Dracula film and what's more,
Christopher Lee and Valerie Gaunt.

Here are pics of the base, the eagle pillar, figures on their own and then all together. More final pics in the Museum!

Cheers,
Paul

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Re: Hammer Dracula 1958

#16 Post by bucketfoot-al »

Stunning! Spectacular! Base detailing is amazingly authentic, as are the figures of Lee/Dracula and the girl. Marvelous paint-up!!! :shocked2: :shocked2: :shocked2:=D> =D> =D>

Put it up on the shelf, pop open a cold beverage, sit back - and ogle away!!!

:thumb2: :thumb2: :thumb2: :beer: :beer: :beer:
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Re: Hammer Dracula 1958

#17 Post by llricmc »

This is some very impressive figure modeling!
You have done an excellent job of explaining your processes as well as enhancing each with your supporting photos.
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Re: Hammer Dracula 1958

#18 Post by Stormheart »

Nice work!
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Re: Hammer Dracula 1958

#19 Post by Tiger2 »

Many thanks for your feedback guys, new project coming soon!
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